Made up of Aina Nogueroles (vocals and lyrics) and Adam González (producer and DJ), Aina Koda has built its sound around rap and music in Valencian, while constantly opening up to other genres. The project has received recognition including the TresDeu Award for Best Musical Release, the Ovidi Award for Breakthrough Artist, and a place among the winning acts of Sona9. In 2023, the duo released “Percal”, their debut album, through Guspira Records.

“La gata” continues this spirit of experimentation. The first two singles already revealed two different sides of the project: “He tornat” blended trap with jungle touches in a track about rediscovering the desire to write and create, while “Billar” embraced a more electronic and danceable sound to tell a story of seduction and connection during a night out.

The rest of the EP expands on this musical journey. “Si tu no estàs” sets Jersey Club production against lyrics about emotional dependency; “Sensacions” blends rap and pop to explore loneliness, identity and music as a place of refuge; while “Les sobres no se tiren”, built around a drumless production, addresses financial insecurity, impostor syndrome and the challenges of finding your way between music, journalism and increasingly expensive housing.

The title track, “La gata”, brings things back to a more classic rap foundation and serves as a clear statement of intent. Drawing on boom bap, Aina Koda champions a form of rap driven by lyrics, ideas and the need to have something to say.

The title also captures the spirit of the EP. The cat is a figure Aina Koda identifies with and one that has become part of the project’s visual identity, but it also represents the different sides that coexist throughout these songs: calm and instinct, vulnerability and strength, humour and social commentary.

“La gata” is now available on all digital platforms via Guspira Records.

L'entrada Aina Koda releases “La gata” ha aparegut primer a Guspira.net.

For this release, Doble teams up with IQLover, an artist who has been carving out a place for himself in the emerging urban scene with catchy melodies and a strong connection to the latest sounds coming out of the international scene. Their chemistry feels natural, resulting in a track that works just as well for listening as it does for dancing.

“Roll Up” is about recognising when it is time to step away from situations or people that no longer bring anything positive into your life. Rather than seeing separation simply as a loss, the song presents it as an opportunity to pause, reflect and heal. Without falling into resentment, the lyrics convey the idea that creating distance can sometimes be necessary in order to move forward.

At the same time, the track offers a personal and relatable perspective on what really matters. Alongside verses about change and personal growth, Doble expresses his hopes for his family’s health and happiness, while also acknowledging past mistakes and asking for forgiveness without losing sight of who he is.

Music itself becomes a source of emotional refuge and a way of navigating difficult moments, helping to regain clarity and keep moving forward. In this sense, “Roll Up” carries a message of resilience and hope, but from a place that feels far less dramatic and much more alive.

Sonically, the single is driven by a warm, dynamic production that blends urban influences with uplifting melodies and an infectious energy.

“Donde la vida nos lleve” will be available on all streaming platforms on October 29.

L'entrada Doble releases “Roll Up” with iQlover ha aparegut primer a Guspira.net.

He now presents “Badman”, a track born out of a period of creative block. Despite the career he has built over the years and his strong connection to dancehall, Mistah Godeh focuses on a stage in which writing and coming up with new ideas does not come as easily as it once did. The song grows out of this contradiction between the confidence associated with an artist’s public persona and the doubts that can exist behind it.

On “Badman”, Godeh speaks openly about what he is going through and his current relationship with music. Creative block, pressure and uncertainty about his own creative process take centre stage in a song that reveals a more personal and vulnerable side of the artist, while staying true to the musical language that has shaped much of his career.

Musically, “Badman” is built around a restrained dancehall groove, with a production that leaves room for both the vocals and the message. Rather than going for an explosive sound, the track keeps the genre’s pulse while putting the story front and centre, highlighting the contrast between the attitude suggested by the title and the sense of vulnerability expressed in the lyrics.

In this way, the same dancehall that has accompanied Mistah Godeh throughout his career now becomes the vehicle for exploring the doubts that are also part of the creative process. “Badman” plays with the distance between the persona and the person, showing what happens when creative block and the need to rediscover a reason to write emerge behind confidence and attitude.

“Badman” is now available on all digital streaming platforms.

L'entrada Mistah Godeh releases “Badman” ha aparegut primer a Guspira.net.

Aina Koda is a rap project from the Valencian Country formed by Aina Nogueroles (vocals and lyrics) and Adam González (producer and DJ). While rooted in rap, their sound constantly moves across genres, combining socially conscious lyrics, everyday situations and their distinctive sense of humour.

The project has established itself within the emerging Valencian-language music scene, earning recognition including TresDeu’s Best Music Release Award, the Ovidi Award for Breakthrough Artist, and a place among the winning acts of Sona9. In 2023, they released “Percal”, their debut album with Guspira Records, where they were already experimenting with sounds ranging from trap and afrotrap to house.

While “He tornat”, the first single from “La gata”, blended trap with jungle influences to explore the return of the desire to write and create freely, “Billar” reveals another side of Aina Koda’s upcoming release. The duo moves into techno house, with a dancefloor-oriented production and a playful, late-night storyline.

The song revolves around a game of pool that becomes a flirtatious exchange between two people who decide to leave their friends behind and spend the night together. Through music, glances and shared tastes, the lyrics capture the moment when a growing sense of connection makes everything else fade into the background.

With “Billar”, Aina Koda continues to expand the sonic palette of La gata, reinforcing one of the ideas at the heart of the project: using rap as a starting point without allowing it to become a limitation.

“La gata” will be released on October 8, 2026, via Guspira Records.

L'entrada Aina Koda releases “Billar” ha aparegut primer a Guspira.net.

To open this project, LDS revisit one of the defining tracks in their repertoire. Originally released on Vértigo (2019), “Salsa Boloñesa” has become a regular feature of their live shows over the years. It now returns as a live recording captured during the farewell concert in Barcelona, where Neidos, Still Ill, Microbio and Acid Lemon performed songs spanning nearly two decades of their career for an audience that had followed them throughout much of their journey.

The tour was conceived as a final celebration of Lágrimas de Sangre’s repertoire, bringing together songs from the different stages of the group’s career. For these shows, LDS expanded their usual setup with a live band featuring Ramon Anglada Jaraquemada (guitar), Christian Llorach Martí (bass), Antonio Luis Torre Vega (drums), Ricard Cots Toscano (keyboards), Pablo Martín Álvarez (trombone) and Oriol Escolano Benach (trumpet), under the artistic and musical direction of Acid Lemon.

Each of the four farewell concerts lasted nearly three hours and was recorded in full, in both audio and video, preserving a record of this final chapter. “Salsa Boloñesa (Live)” is the first track to be released from these recordings, paving the way for En el borde del mundo Live.

The album will bring some of the songs that have shaped Lágrimas de Sangre’s history back to life on record, while preserving the memory of a farewell shared with more than 20,000 people. “Salsa Boloñesa (Live)” marks the starting point of the band’s final release.

“Salsa Boloñesa (Live)” is now available on all major digital platforms, accompanied by the live video recorded in Barcelona.

L'entrada Lágrimas de Sangre releases “Salsa Boloñesa” ha aparegut primer a Guspira.net.

Aina Koda first emerged within the Valencian-language music scene, earning recognition including TresDeu’s Best Music Release Award, the Ovidi Award for Breakthrough Artist, and a place among the winners of the Sona9 competition.

In 2023, they released Percal, their debut album with Guspira Records. The twelve-track record explored sounds ranging from trap and afrotrap to house, combining the project’s more outspoken side with songs about their roots, everyday life and their own approach to music.

Following Percal and a series of singles released over the past few years, Aina Koda now returns with “He tornat”, the first single from their upcoming EP La gata. Out today, September 10, 2026, the track blends trap with touches of jungle and marks the project’s return with renewed energy.

The lyrics combine irony, social criticism and artistic self-defence, addressing judgement and external pressures while reflecting on the need to reconnect with herself, live freely and rediscover the desire to write without constraints. At the same time, Aina Koda questions the expectations and dynamics surrounding both music and the world around her.

Driven by her characteristic sense of humour and a direct lyrical approach, “He tornat” sets the tone for La gata, Aina Koda’s upcoming EP, and opens a new chapter for the project.

“He tornat” is now available on all major digital platforms.

L'entrada Aina Koda releases “He tornat” ha aparegut primer a Guspira.net.

A few months ago, Guspira Records released their debut album, Guerra Endins, marking a new step in their career and introducing the band professionally to the Catalan music scene.

Now, with “Què volen aquesta gent?”, Declivi revisit the iconic song by Maria del Mar Bonet and Lluís Serrahima, giving it a new reading while highlighting the continued relevance of a song originally born as a response to political repression. Its release comes at a time when far-right rhetoric is once again gaining ground, turning the question at the heart of the song into one that feels strikingly relevant today.

Originally released in 1968, “Què volen aquesta gent?” was inspired by a real event during Franco’s dictatorship and became one of the defining songs of the Nova Cançó movement and the anti-Franco struggle. Censored by the regime, the song was later revived and covered by different artists, remaining a powerful reference point for collective memory and resistance against repression.

With this new version, Declivi reclaim the song’s anti-fascist spirit and bring it into today’s political landscape. The band focuses on the rise of the far right in Catalonia, particularly the growing influence of Aliança Catalana and the normalization of its political discourse.

In this context, Declivi are joining the anti-fascist demonstration taking place on the eve of Catalonia’s National Day at the Fossar de les Moreres, standing against Aliança Catalana. Their version of “Què volen aquesta gent?” becomes a soundtrack against the far right, while reaffirming music as a tool for challenging hate, exclusion and authoritarianism.

Musically, Declivi take the original song and make it their own. The new version preserves the weight of Serrahima’s lyrics and melody, while giving them a more guitar-driven sound closer to the band’s identity: sharp guitars and a performance charged with intensity and emotion.

More than fifty years after its original release, “Què volen aquesta gent?” is once again brought to the forefront by Declivi, proving that some songs are not only part of our collective memory, but continue to speak directly to the present.

L'entrada Declivi releases “Què volen aquesta gent?” ha aparegut primer a Guspira.net.

This time, Doble teams up with Turek Hem, one of the voices steadily making a name for himself in Mexico’s rap scene. Originally from Puebla, Turek Hem has built a loyal following around a sound deeply rooted in street rap and his own background, reaching over 200,000 monthly listeners on Spotify.

“So Good” captures what it feels like to live between shows, studios, highways and airports while holding on to the same excitement that started it all. The lyrics reflect on reaching goals one step at a time, crossing borders, discovering new places and continuing to grow without losing sight of who you are or the people who have been there from the beginning.

At the same time, the song acknowledges the less glamorous side of a life in constant motion: exhaustion, distance, jet lag and the emotional challenges that come when everything moves so quickly. Rather than dwelling on those struggles, “So Good” turns them into part of the journey, celebrating the ability to keep enjoying the ride even when things get difficult.

At its core, “So Good” is about perseverance, gratitude and learning to value the process. It is a reminder that success is not simply about how quickly things happen, but about how you experience the journey and, above all, who you share those defining moments with.

Musically, the single blends warm melodies with hip-hop and reggae influences, driven by a fresh, dynamic production that mirrors its sense of freedom and constant movement. The result is an uplifting and honest track that further expands the emotional and sonic landscape of Donde la vida nos lleve.

L'entrada Doble releases “So Good” ha aparegut primer a Guspira.net.

The song explores fear, mental exhaustion and inner conflict while trying to build a future through music. Both Emé and Chuti368 write from a deeply personal place, tapping into a reality shared by many young artists: constantly navigating pressure, instability and self-doubt while refusing to give up on what they love.

From its opening lines, “Otra vez” reveals a strong emotional connection to family and memory. When Chuti368 sings, “Despierto cantando mi abuela ordena los enseres”, the song offers an intimate glimpse into everyday memories, turning the figure of his grandmother into a symbol of comfort, strength and emotional heritage. That sense of family runs throughout the track, becoming a source of strength in the face of uncertainty.

The song also explores the struggle to stay true to yourself when everything around you feels unstable. On the line “El impostor está tan cerca, no hay teatro que me esconda la otra cara del infierno”, Emé confronts impostor syndrome, the fear of not being good enough and the emotional toll that often comes with the creative process. Rather than dramatizing these insecurities, “Otra vez” approaches them with honesty and directness.

Yet the track never becomes consumed by sadness. References to precarious jobs, sleepless nights and improvised plans — including the line “encerrados entre cajas y sin money” — paint a picture of uncertainty, but also of the determination to keep creating regardless of the circumstances. Music becomes a form of emotional survival: a way of turning anger, fear and exhaustion into the drive to keep going.

Musically, “Otra vez” moves between a melancholic atmosphere and a restrained energy that mirrors the emotional journey of both artists. XDELTA’s production gives their performances room to breathe, allowing the honesty and intimacy at the heart of the song to come through naturally.

L'entrada Emé presents “Otra vez” ha aparegut primer a Guspira.net.

Blending Latin trap with infectious melodies and hard-hitting production, “I Just Wanna Know” delivers an energetic, contemporary sound while continuing to expand Doble’s artistic identity beyond borders.

L'entrada Doble releases “I Just Wanna Know” ha aparegut primer a Guspira.net.