In recent years, the artist has continued consolidating his path with releases such as “3 AM”, a track that has already accumulated more than 30 million streams, and key experiences like joining L-Gante’s tour, which allowed him to connect with new audiences and gain greater confidence on stage. A process of growth that has evolved in parallel with an increasingly defined personal and artistic evolution.

In this new stage, Doble presents a project he has been working on for quite some time, reflecting a moment of profound change. The project was entirely developed in Mexico, specifically in Guadalajara, where the artist settled during this period to create from scratch, surrounding himself with new stimuli, collaborations, and ways of understanding music that ultimately had a direct influence on his sound.

Within this context comes “Yo no lo sé”, the first preview of his upcoming project and one of his most conceptually powerful pieces to date. The song brings to the table a conflict that is as intimate as it is universal: the constant pressure of having to know what to do with your life while everyone else gives their opinion from the outside.

Far from searching for easy answers, Doble builds an uncomfortable yet necessary discourse. The lyrics move between rage and vulnerability, reflecting the frustration of feeling misunderstood in an environment where judgment is abundant, but real support is scarce. “Yo no lo sé” is, in essence, an internal rebellion against this imposition of certainty.

On a sonic level, the track reinforces this message with a solid and direct production. Built around a 128 BPM rhythm and in the key of G minor, the single combines the strength of hip hop with an almost cathartic energy, generating a constant tension that accompanies the artist’s emotional discourse. The result is a piece that is not only heard, but deeply felt from within.

L'entrada Doble presents “Yo no lo sé” ha aparegut primer a Guspira.net.

The band builds its proposal from a clear expressive need. Declivi channels concerns, contradictions, anger and moments of tenderness through a language that combines the raw energy of rock with a strong melodic sensitivity. Their songs, performed entirely in Catalan, address themes such as alienation, fears, relationships, nightlife, defeats and the desire for collective transformation, shaping an honest and generational universe.

Since their first concert in Manresa on June 30, 2023, the band has steadily consolidated its live trajectory, turning the stage into the central space where their music reaches its full dimension. This path now leads to “Guerra Endins”, a work that functions both as a calling card and a statement of intent.

The album proposes an emotional journey that moves through identity, memory, conflict and personal reconstruction. Across nine tracks, Declivi draws a narrative that oscillates between protest and vulnerability, introspection and collective explosion. The title encapsulates this central idea: the inner war that accompanies vital, social and emotional processes, but also the ability to resist, imagine alternatives and keep moving forward.

“Guerra Endins” opens with “Miratges”, a statement of self-identity in the face of adversity, and moves into tracks like “Vidres Trencats”, a collaboration with the band “Punkxada” that connects memory, resistance and social critique. Other moments in the album explore displacement and fragility (“No vinc a casa”), the need to imagine a world without violence (“l’Interludi – Guerra Endins”), or emotional reconstruction through love (“Quan m’inundin les pors”).

The project also incorporates narratives around identity and desire, such as in “Fes-me Miques” with Still Ill, where emotional tension and fear of rejection build into a cathartic climax, as well as reflections on external pressure (“La lluna m’ha dit”), allegorical stories of love and autonomy (“Mar”), and an intimate farewell that closes the journey with serenity (“De dilluns a diumenge”).

L'entrada Declivi presents “GUERRA ENDINS” ha aparegut primer a Guspira.net.

The result is a cypher, a classic hip-hop format in which several MCs perform over the same instrumental with their own individual verses, linking styles and perspectives within the same track. In this case, however, “Jauría” goes beyond a technical exercise: it becomes a space for genuine connection between artists who, despite coming from different backgrounds, share the same energy and attitude.

Emé, Gea, Ari Guada, and PolloK build a collective narrative centered on empowerment, personal freedom, and the strength of unity. Each contribution brings its own perspective, yet the whole maintains a clear coherence: that of a group of women who have grown from the ground up, learned to trust themselves, and claim their place with confidence and authenticity.

The lyrics combine intensity and sensitivity, alternating moments of determination with spaces of vulnerability and reflection. They address social pressures, the contradictions of everyday life, and the exhaustion that often accompanies personal processes, but also the ability to transform everything into creative drive and keep moving forward.

The production, crafted by Ekys himself at Diagramastudio, is built around a raw, aggressive boom bap foundation with a strong rhythmic weight that supports the intensity of the message. The hard-hitting, direct drums connect with the essence of classic underground rap, while the sonic treatment seeks its own identity within the genre, enhancing both the attitude and the performances of the artists.

Conceptually, “Jauría” also aims to take the spirit of the cypher beyond the audio itself, reinforcing this sense of collective identity and shared presence. The project is conceived as a complete piece, where music, visuals, and narrative revolve around the same idea: joining forces to amplify the message.

The result is an intense, direct, and cohesive song that works both through the individual impact of each voice and through the power of the collective. “Jauría” is not just a track: it is a collective statement, a meeting point, and a way of understanding hip-hop through collaboration, attitude, and identity.

L'entrada Emé presents “Jauría (cypher)” ha aparegut primer a Guspira.net.

Aina Koda has quickly established themselves as one of the standout names in the emerging Valencian music scene. The project, already backed by several awards, has received the TresDeu Award for Best Music Release and the Ovidi Award for Best New Artist. Most recently, in 2022, they were among the winning acts of the music contest Sona 9.

With a nonconformist spirit, their sound is rooted in rap but travels across very different genres, creating a unique style. Aina Koda is part of a new wave of artists who break free from labels, capable of delivering protest-driven lyrics as well as songs about everyday life. In their case, they do so with a distinctive touch of humor—one of the traits that most fuels their creative drive.

They now present “Plàstek”, a new single that dives fully into hardtek to build a powerful, fast-paced, and deliberately unsettling track, both in sound and in message. Released on the artist’s birthday, the song stands as a statement of intent: a critical look at a society increasingly shaped by algorithms and the dynamics of social media.

With lyrics full of protest yet laced with irony, Aina Koda highlights the normalization of hate speech and the superficiality of a digital environment that often amplifies dangerous narratives. “Plàstek” not only denounces these realities but also exposes a shared generational feeling: the loss of identity and the urgent need to break away from an artificial, prefabricated, and empty way of life.

The track runs at 150 BPM and is composed in E-flat major, combining rave energy with a punk attitude that reinforces its message of rupture. The production, by Agon, delivers a direct, uncompromising sound that amplifies the track’s combative character.

L'entrada Aina Koda presents “Plàstek” ha aparegut primer a Guspira.net.

After several experiences in other bands, the group established itself as a new creative meeting point from which to channel concerns, anger, and emotions through an intense rock sound that remains open to melody and sensitivity. Their songs are in Catalan, the language they live in and the one they want to keep using to tell their story.

In a short time, the band has begun to make its way into the emerging scene. They have received support from the Casa de la Música de Manresa, which granted them a recording scholarship and accompanied them in the creation of a festival for emerging bands in the city. In addition, in 2024 they won the Engresca’t competition, reinforcing the growth of a project that has not stopped moving forward since its first concerts.

With “Miratges”, the third single from GUERRA ENDINS, the band focuses on one of their recurring obsessions: the struggle to preserve one’s identity when everything around seems fragile, artificial, or outright deceptive.

The song is built on a clear idea: when you live surrounded by mirages, the only possible truth is the one you are able to build from within. There are no eternal lighthouses. There are no unbreakable promises. And maybe there are no guaranteed victories either. But there is awareness.

Driven by a fast-paced 140 BPM foundation in E minor, the track moves forward with determination, almost without pause. The guitars maintain a constant tension that reinforces the urgency of the lyrics, while the vocals shift between disillusionment and reaffirmation. It is not a chaotic explosion—it is sustained resistance.

Lines like “Viure al desert només són miratges” or “M’he tret la por de viure al davant” encapsulate the central conflict: stopping the act of pretending everything is fine, leaving behind the comfort of a composed façade, and accepting that growth means shedding references that once seemed unquestionable.

The repetition of “Desperta’m quan sigui de nit” works almost like an inverted mantra: it is not a call to escape the darkness, but to face it with clarity. If the cold comes every morning and summer lasts less than a shout, the answer is not denial, but standing firm despite everything.

“Miratges” does not promise epic redemption. It does not guarantee that the war will be won. But it does defend one essential idea: even in the middle of the desert, there is a voice of your own that can show the way.

With this third single, Declivi continue expanding the universe of GUERRA ENDINS, an album that explores inner battles, fragility, and anger, but also the —real and imperfect— possibility of holding on when everything is shaking.

“GUERRA ENDINS” will be available on all platforms on May 14.

L'entrada Declivi presents “Miratges” ha aparegut primer a Guspira.net.

After having been part of other projects that didn’t quite take off, Declivi became the definitive point of convergence for its members. A creative space from which to channel concerns, frustrations, contradictions, and also moments of light. Their sound moves within rock with character and distortion, without giving up melody or a certain emotional fragility. Their songs are in Catalan, the language they live and express themselves in, which they claim as both the present and the future of their music.

In a very short time, the band has begun to gain presence within the emerging scene of the territory. They have received support from the Casa de la Música de Manresa, which awarded them a recording grant and supported them in launching a festival dedicated to emerging bands from the city. In addition, in 2024 they were also winners of the Engresca’t competition, further reinforcing the growth of a project that has not stopped evolving since their first live performance.

They now present their new single, “Quan m’inunden les pors”, the second preview of their upcoming work. If in previous tracks tension and conflict were the driving force, here the band shifts toward reconstruction. It is not a naïve song: it tells the story of someone who has gone through darkness and consciously decides to remain in the light.

With a rock foundation at 93 BPM in C major, the track breathes openness and clarity, yet does not hide its scars. The lyrics are explicit in their transformation: tearing out “les còrnies desolades”, discarding the old gaze and replacing it with a new one. The image is almost violent, but necessary. It is not about forgetting pain, but about changing the way it is perceived.

The line “resisteixo a la línia de front” turns emotional conflict into a battlefield. But here the war is not against the world, it is against oneself: against the fear of failure, rejection, and falling again. And it is precisely love—the calm presence of another—that acts as the anchor point to rebuild a stronger identity.

The repetition of “poc a poc i pas a pas, ferm i amb convicció” is not just a lyrical device; it is a statement of intent. Growth is not explosive, it is progressive. It is not epic, it is real. Declivi thus deliver one of their most luminous and mature pieces, where vulnerability ceases to be weakness and becomes strength.

This second preview expands the universe of “GUERRA ENDINS”, an album that explores inner battles and scars, but also the real possibility of healing them.

“GUERRA ENDINS” will be released on May 14.

L'entrada Declivi presents “Quan m’inundin les pors” ha aparegut primer a Guspira.net.

Throughout his career he has shared the stage with international artists such as Gentleman, Inner Circle, Morodo, Million Stylez, Fyahbwoy, Afu-Ra and Sho-Hai, consolidating himself as one of the notable voices within reggae in Spain.

His trajectory also includes two street albums released together with the producers Heavy Roots, featuring collaborations such as Soge Culebra on “Yo x ti Remix” and Green Valley on “Pachamama”. In addition, he has participated in projects by other artists such as Los Chikos del Maíz on the track “Grupo Salvaje” from the album “Comanchería”, or alongside Charly Efe and Loren D on “No hay tregua”, included in the album “El mártir”.

He now presents “Niebla”, a new single that explores the most nostalgic dimension of love and the mark that intense relationships leave when they become memories. With a laid-back reggae foundation (88 BPM in the key of B minor), the track builds an intimate and emotional atmosphere that accompanies a story shaped by memory and emotional confusion.

“Niebla” portrays a person trapped in the nostalgia of a past love that was lived with great intensity. Through a narrative full of memories, the song evokes a youthful relationship set in the 2000s, a time when emotions are experienced with particular intensity and when every gesture, every moment of waiting and every shared experience gains deep meaning.

Mistah Godeh uses the metaphor of climbing a difficult summit to explain the complexity of that relationship: a bond he always wanted to try to reach again, even after the falls. The single blends romanticism and melancholy, showing how a relationship can be sweet and at the same time painful, difficult to reach and full of failed attempts to keep it alive.

Between blurred memories and emotions that still remain, “Niebla” speaks about the difficulty of leaving the past behind and how certain moments continue to linger long after they have happened.

L'entrada Mistah Godeh presents “Niebla” ha aparegut primer a Guspira.net.

After previous projects that hadn’t quite taken off, Declivi became the definitive meeting point: a space to channel concerns, anger, contradictions and also light. They make rock with edge and distortion, but they don’t give up melody or tenderness. They sing in Catalan because it is their language and their present, and they defend that it is also the future.

In a short time, the band has begun to carve out a place for themselves within the emerging scene of the region. They have received support from the Casa de la Música de Manresa, which granted them a recording scholarship and supported them in the creation of a festival dedicated to emerging bands from the city. In addition, the band also won the Engresca’t contest in 2024, consolidating the first steps of a project that has not stopped growing since the first time they stepped onto a stage.

They now present “Fes-me miques”, the first preview of their new album “GUERRA ENDINS”. The single features a collaboration with Still Ill, and builds a solid bridge between Catalan alternative rock and the critical Spanish urban scene.

The song captures the precise moment when you feel a connection with someone but find yourself facing an invisible wall. A wall made of fear of rejection, projected expectations and heavy silences. The story focuses on a reality that often intensifies in homosexual relationships within cis-heteronormative nightlife spaces, where desire coexists with the tension of being observed or discovered.

The lyrics move between fantasy and anguish, between the “plan for life” and inner condemnation. The repetition of “jo penjo d’un fil” intensifies the emotional fragility until everything culminates in a cathartic guitar solo, where the accumulated tension bursts. It is the breaking of the wall. Or at least the first crack.

“Fes-me miques” opens the door to the universe of “GUERRA ENDINS”, an album that will delve into internal conflicts, collective fears and the battles that are fought within.

“GUERRA ENDINS” will be released on May 14.

L'entrada Declivi presents “Fes-me Miques” ha aparegut primer a Guspira.net.

‘2C-B’ is the second single from the new musical identity that MS OBAMA has begun to develop: a rawer and more direct one, more performative and provocative, through which she dares to look her angels and her demons straight in the face.

MS OBAMA’s new artistic era is beginning to take shape. Following the path opened by ‘Roller Coaster’, which introduces us to a sonic universe where the visceral, the dark, the powerful and the divine coexist, the Valencian artist now delivers a second piece that consolidates her new musical direction: one that is much rawer, more direct, performative and provocative.

‘2C-B’, her new single, once again puts issues such as power and identity on the table, but this time framing them within the hedonistic atmosphere of club culture. Narrated from a dominant position, appropriating the codes of desire, money and fame, it becomes a rather dark satire about how pleasure, consumption and social validation mix within clubbing, creating a very blurred line between self-objectification and empowerment.

According to the artist herself, with ‘2C-B’ she wanted to “push the imagery of clubbing, luxury and excess to the extreme in order to show how grotesque and empty it can become when desire turns into business.” With this piece she seeks to question the self-mythification of nightlife culture, functioning almost like an uncomfortable mirror reflecting the perversion of capitalism when it mixes with pleasure, the use of bodies as products and relationships as a form of currency.

Assuming an exaggerated, powerful and sexualized alter ego, MS OBAMA portrays in ‘2C-B’ the contrast between the euphoria and the emptiness of the clubbing environment. The sensual and confident tone of her voice combines with the strength of the track’s musical structure, which draws from club culture and especially from rave. The entire track is built around a reinforced bassline that allows the voice to unleash all its aggressive energy without needing to attack directly, resulting in a two-minute bomb that leaves you unsure whether it has already exploded or is about to do so. Like the flammable industrial artifact that it is, ‘2C-B’ is full of tension and roughness, reminiscent of the songs of Die Antwoord, but also of elegance and precision, like the style of Azealia Banks. Light and shadow, euphoria and emptiness. This is the new path of MS OBAMA, the one she has chosen to express herself artistically and to face her angels and demons head-on.

After developing within the underground circuit of Barcelona, MS OBAMA has gradually consolidated a distinctive sonic identity marked by physical intensity, magnetic darkness and a strong emotional charge.

Her trajectory includes the 2021 residency of the South Block party at Jamboree Dance Club, a key meeting point for emerging artists from Barcelona’s urban scene — singers, dancers, producers and multidisciplinary collectives. Known for the power of her live performances, she later decided to record a one-hour live set at the iconic Sala Apolo, further strengthening her stage profile.

In 2026 she begins a new artistic phase with a renewed audiovisual universe through the singles “Roller Coaster” and “2C-B”.

L'entrada Ms Obama presents “2C-B” ha aparegut primer a Guspira.net.

The album speaks of change, of the fear of falling, of the emotional weight of not knowing what lies ahead, but also of the need to imagine new lives and possible worlds. Embracing the abyss as an act of resistance and care. “Vèrtic” —a word of Valencian origin— refers to that loss of balance that makes reality spin, and Sobre Mi Gata chooses to hold onto it through dub, steppa and massive basslines, with their unmistakable signature: celebration, awareness and bodies in motion.

The album alternates direct political critique with fragile and honest love songs. “Murs d’altaveus” is a cry to break down borders, prisons and cages, singing so that one day all walls may fall —except those of the soundsystems. “Vaga General Apocalíptica” calls for collective insurrection at a historical moment when it seems easier to imagine the end of the world than the end of capitalism.

On the other hand, “Tot el que no sóc” and “Vèrtic” explore love through loss, change and fear: loving as a leap into the void that can be painful, but also healing. “Dopamina” portrays life as a constant hangover, with the intuition that, despite everything, standing back up is possible. “Fundación” takes a pessimistic look at the fusion of humans and technology, singing to a future increasingly detached from what can be felt and touched. “Medusa” reflects on identity as a changing, mutable and chosen skin. And the album asks, without a clear answer: who decides unpredictable moments, love, the course of a night?

L'entrada Sobre Mi Gata releases “Vèrtic” ha aparegut primer a Guspira.net.