To open this project, LDS revisit one of the defining tracks in their repertoire. Originally released on Vértigo (2019), “Salsa Boloñesa” has become a regular feature of their live shows over the years. It now returns as a live recording captured during the farewell concert in Barcelona, where Neidos, Still Ill, Microbio and Acid Lemon performed songs spanning nearly two decades of their career for an audience that had followed them throughout much of their journey.

The tour was conceived as a final celebration of Lágrimas de Sangre’s repertoire, bringing together songs from the different stages of the group’s career. For these shows, LDS expanded their usual setup with a live band featuring Ramon Anglada Jaraquemada (guitar), Christian Llorach Martí (bass), Antonio Luis Torre Vega (drums), Ricard Cots Toscano (keyboards), Pablo Martín Álvarez (trombone) and Oriol Escolano Benach (trumpet), under the artistic and musical direction of Acid Lemon.

Each of the four farewell concerts lasted nearly three hours and was recorded in full, in both audio and video, preserving a record of this final chapter. “Salsa Boloñesa (Live)” is the first track to be released from these recordings, paving the way for En el borde del mundo Live.

The album will bring some of the songs that have shaped Lágrimas de Sangre’s history back to life on record, while preserving the memory of a farewell shared with more than 20,000 people. “Salsa Boloñesa (Live)” marks the starting point of the band’s final release.

“Salsa Boloñesa (Live)” is now available on all major digital platforms, accompanied by the live video recorded in Barcelona.

L'entrada Lágrimas de Sangre releases “Salsa Boloñesa” ha aparegut primer a Guspira.net.

Aina Koda first emerged within the Valencian-language music scene, earning recognition including TresDeu’s Best Music Release Award, the Ovidi Award for Breakthrough Artist, and a place among the winners of the Sona9 competition.

In 2023, they released Percal, their debut album with Guspira Records. The twelve-track record explored sounds ranging from trap and afrotrap to house, combining the project’s more outspoken side with songs about their roots, everyday life and their own approach to music.

Following Percal and a series of singles released over the past few years, Aina Koda now returns with “He tornat”, the first single from their upcoming EP La gata. Out today, September 10, 2026, the track blends trap with touches of jungle and marks the project’s return with renewed energy.

The lyrics combine irony, social criticism and artistic self-defence, addressing judgement and external pressures while reflecting on the need to reconnect with herself, live freely and rediscover the desire to write without constraints. At the same time, Aina Koda questions the expectations and dynamics surrounding both music and the world around her.

Driven by her characteristic sense of humour and a direct lyrical approach, “He tornat” sets the tone for La gata, Aina Koda’s upcoming EP, and opens a new chapter for the project.

“He tornat” is now available on all major digital platforms.

L'entrada Aina Koda releases “He tornat” ha aparegut primer a Guspira.net.

A few months ago, Guspira Records released their debut album, Guerra Endins, marking a new step in their career and introducing the band professionally to the Catalan music scene.

Now, with “Què volen aquesta gent?”, Declivi revisit the iconic song by Maria del Mar Bonet and Lluís Serrahima, giving it a new reading while highlighting the continued relevance of a song originally born as a response to political repression. Its release comes at a time when far-right rhetoric is once again gaining ground, turning the question at the heart of the song into one that feels strikingly relevant today.

Originally released in 1968, “Què volen aquesta gent?” was inspired by a real event during Franco’s dictatorship and became one of the defining songs of the Nova Cançó movement and the anti-Franco struggle. Censored by the regime, the song was later revived and covered by different artists, remaining a powerful reference point for collective memory and resistance against repression.

With this new version, Declivi reclaim the song’s anti-fascist spirit and bring it into today’s political landscape. The band focuses on the rise of the far right in Catalonia, particularly the growing influence of Aliança Catalana and the normalization of its political discourse.

In this context, Declivi are joining the anti-fascist demonstration taking place on the eve of Catalonia’s National Day at the Fossar de les Moreres, standing against Aliança Catalana. Their version of “Què volen aquesta gent?” becomes a soundtrack against the far right, while reaffirming music as a tool for challenging hate, exclusion and authoritarianism.

Musically, Declivi take the original song and make it their own. The new version preserves the weight of Serrahima’s lyrics and melody, while giving them a more guitar-driven sound closer to the band’s identity: sharp guitars and a performance charged with intensity and emotion.

More than fifty years after its original release, “Què volen aquesta gent?” is once again brought to the forefront by Declivi, proving that some songs are not only part of our collective memory, but continue to speak directly to the present.

L'entrada Declivi releases “Què volen aquesta gent?” ha aparegut primer a Guspira.net.

This time, Doble teams up with Turek Hem, one of the voices steadily making a name for himself in Mexico’s rap scene. Originally from Puebla, Turek Hem has built a loyal following around a sound deeply rooted in street rap and his own background, reaching over 200,000 monthly listeners on Spotify.

“So Good” captures what it feels like to live between shows, studios, highways and airports while holding on to the same excitement that started it all. The lyrics reflect on reaching goals one step at a time, crossing borders, discovering new places and continuing to grow without losing sight of who you are or the people who have been there from the beginning.

At the same time, the song acknowledges the less glamorous side of a life in constant motion: exhaustion, distance, jet lag and the emotional challenges that come when everything moves so quickly. Rather than dwelling on those struggles, “So Good” turns them into part of the journey, celebrating the ability to keep enjoying the ride even when things get difficult.

At its core, “So Good” is about perseverance, gratitude and learning to value the process. It is a reminder that success is not simply about how quickly things happen, but about how you experience the journey and, above all, who you share those defining moments with.

Musically, the single blends warm melodies with hip-hop and reggae influences, driven by a fresh, dynamic production that mirrors its sense of freedom and constant movement. The result is an uplifting and honest track that further expands the emotional and sonic landscape of Donde la vida nos lleve.

L'entrada Doble releases “So Good” ha aparegut primer a Guspira.net.

The song explores fear, mental exhaustion and inner conflict while trying to build a future through music. Both Emé and Chuti368 write from a deeply personal place, tapping into a reality shared by many young artists: constantly navigating pressure, instability and self-doubt while refusing to give up on what they love.

From its opening lines, “Otra vez” reveals a strong emotional connection to family and memory. When Chuti368 sings, “Despierto cantando mi abuela ordena los enseres”, the song offers an intimate glimpse into everyday memories, turning the figure of his grandmother into a symbol of comfort, strength and emotional heritage. That sense of family runs throughout the track, becoming a source of strength in the face of uncertainty.

The song also explores the struggle to stay true to yourself when everything around you feels unstable. On the line “El impostor está tan cerca, no hay teatro que me esconda la otra cara del infierno”, Emé confronts impostor syndrome, the fear of not being good enough and the emotional toll that often comes with the creative process. Rather than dramatizing these insecurities, “Otra vez” approaches them with honesty and directness.

Yet the track never becomes consumed by sadness. References to precarious jobs, sleepless nights and improvised plans — including the line “encerrados entre cajas y sin money” — paint a picture of uncertainty, but also of the determination to keep creating regardless of the circumstances. Music becomes a form of emotional survival: a way of turning anger, fear and exhaustion into the drive to keep going.

Musically, “Otra vez” moves between a melancholic atmosphere and a restrained energy that mirrors the emotional journey of both artists. XDELTA’s production gives their performances room to breathe, allowing the honesty and intimacy at the heart of the song to come through naturally.

L'entrada Emé presents “Otra vez” ha aparegut primer a Guspira.net.

Blending Latin trap with infectious melodies and hard-hitting production, “I Just Wanna Know” delivers an energetic, contemporary sound while continuing to expand Doble’s artistic identity beyond borders.

L'entrada Doble releases “I Just Wanna Know” ha aparegut primer a Guspira.net.

Following the viral success of “Castillo de Arena”, Spanish rapper Emé returns to the song that first introduced her to a wider audience. This time, she teams up with Flavia Beaka and Lasole for a bold new remix that reimagines one of the defining tracks of her career while showcasing the strength of a new generation of female voices in Spanish urban music.

Originally released in 2025, Castillo de Arena quickly gained momentum after clips of the song went viral across TikTok, Instagram and other social media platforms. Its honest lyricism, emotional depth and effortless blend of rap and melody positioned Emé as one of Spain’s most promising emerging hip-hop artists.

Rather than simply revisiting the original, the remix expands its emotional landscape. Flavia Beaka and Lasole each bring their own perspective and artistic identity, transforming the track into a dialogue between three distinctive voices while preserving the vulnerability and authenticity that made the original resonate with so many listeners.

The release also marks an important milestone in Emé’s career. On July 30, she will perform at DROM NYC as part of the Latin Alternative Music Conference (LAMC), one of the music industry’s leading showcases for Latin and alternative music. Since 2000, LAMC has become a key meeting point for artists, booking agents, festivals, labels, managers and international music professionals. This year’s lineup features acclaimed artists including Julieta Venegas, Trueno and many other leading names from today’s Latin music scene.

Performing at LAMC represents Emé’s first major international industry showcase and reflects the rapid evolution of a project that has grown from a viral breakthrough into an artist ready to step onto the global stage. The “Castillo de Arena” Remix will serve as one of the highlights of her New York performance, introducing international audiences to the song that started it all while opening the next chapter of her career.

L'entrada Emé presents “Castillo de Arena (Remix)” ha aparegut primer a Guspira.net.

With “Nota de voz”, Emé delivers one of her most personal songs to date. Built around themes of vulnerability, guilt and emotional exhaustion, the track explores the aftermath of a relationship strained by personal struggles, obsessive thoughts and the challenge of balancing artistic ambition with personal connections.

Rather than romanticising love, “Nota de voz” focuses on what remains when communication begins to fade: silence, emotional distance, unanswered messages and the feeling of drifting away from the people who matter most. Through an intimate and unfiltered narrative, Emé confronts her own contradictions and mistakes, turning the song into a raw emotional confession.

Throughout the track, music emerges both as a refuge and a burden. The pressure of pursuing a creative path, the weight of guilt and the need to find ways of coping with emotional pain are recurring themes that shape the song’s atmosphere. Writing, voice notes and self-expression become tools for survival, allowing Emé to transform personal struggles into something universal.

Despite its emotional weight, “Nota de voz” ultimately carries a message of resilience. Beneath the nostalgia and heartbreak lies a reflection on the strength required to keep moving forward, even when we continue to carry the wounds of the past.

L'entrada Emé presents “Nota de voz” ha aparegut primer a Guspira.net.

“Qué más pedir” is a Catalan rumba infused with Latin influences, emerging from the creative partnership between Microbio and Willow VSound. The track represents a fresh sonic direction within the project and reflects the artist’s ongoing drive to broaden his musical horizons.

The lyrics revolve around love, but from a much more direct and everyday perspective, focusing on fraternal, shared and genuine affection rather than grand romantic gestures or idealised narratives.

From a production standpoint, the song is the result of the collaboration between Microbio and Willow VSound, a creative alliance that led them into largely unexplored territory within the artist’s musical universe. Their search for a sound rooted in Catalan rumba and Latin influences eventually opened the door to the involvement of BanannaBeach, whose contribution proved instrumental in shaping the track.

The collaboration with the band not only helps define the song’s musical identity, but also becomes an integral part of its narrative. Oriol Sarandonga contributes a verse in Catalan and joins the choruses, while Ignasi Caballé and Roger CM complete a recording marked by a collective spirit and the blending of different creative sensibilities.

With “Qué más pedir”, Microbio adds new colours and textures to his musical universe. Catalan rumba, Latin influences and the collaborative work with fellow musicians come together in a bright, organic and uplifting song that pushes the project’s sonic boundaries while remaining faithful to its identity.

L'entrada Microbio presents “Qué más pedir” ha aparegut primer a Guspira.net.

The second single from the project is “Tú y yo”, a collaboration with Villax produced by Maken Row. The song focuses on the bond between two people who choose to keep moving forward together despite the challenges they face, turning love into a space of resilience, mutual support, and hope.

Through an intimate and direct narrative, “Tú y yo” speaks about leaving past mistakes behind in order to build a shared future. Between dreams of freedom, desires for change, and the need to overcome everyday struggles, the song portrays a relationship that finds its strength in trust and the determination to keep going.

The collaboration with Villax, which emerged during the album’s creative process in Mexico, adds a new dimension to the story and reinforces the international character of a project that expands Doble’s musical universe without losing its identity.

With a career defined by constant evolution, Doble has built a distinctive voice within the urban music scene, drawing influences from hip hop, reggae, funk, trap, and Latin sounds. His recent artistic path reflects a clear sense of maturity that comes together in this new project, conceived during his time in Mexico and shaped by a broader, more personal, and internationally-minded perspective.

Now, with “Tú y yo”, Doble continues to unveil a record that captures one of the most mature and personal moments of his career.

L'entrada Doble and Villax embrace love without looking back in “Tú y yo” ha aparegut primer a Guspira.net.